Horror movies Roger Ebert “hated” the most

While many talented scholars have contributed to the extensive history of film criticism, Roger Ebert will always be one of its most popular voices. Along with his partner Gene Siskel, Ebert helped bring film criticism into the mainstream consciousness and popularized the act of discussing and dissecting films as a form of intellectual entertainment. This is precisely why current trends in film discourse on social media are deeply indebted to Ebert’s platforms.

During the emergence of the New Hollywood movement, Ebert was instrumental in championing bold artistic visions such as that of Arthur Penn Bonnie and Clyde. However, he also developed a strong reputation for writing scathing reviews of popular films. Many horror films failed to escape Ebert’s wrath, especially at a time when he appreciated the genre’s contributions to the various cinematic landscapes of their eras.

One particularly beloved Keanu Reeves film that ended up in his “most hated” selection is Constantine: “The powers of hell manifest themselves in many ways. One victim was eaten by flies. A young girl is possessed by a devil and Constantine screams, “I need a mirror! Now! At least three feet tall!” He can catch the demon in the mirror and throw it out the window, you see, though you wonder why supernatural beings have such low-tech security holes.

Ebert did not spare William Friedkin either, criticizing his efforts in 1990 The Guardian as a weak addition to his impressive body of work. He wrote: “Of the many threats to modern man documented in horror films – the exterminators, the stalkers, the body grabbers – the most innocent seem to be the druids. After all, what can a druid really do to you besides drop fast food wrappers on the lawn while he worships your trees?”

Another unintentionally funny horror movie that ended up on Ebert’s list is Creatures 2: The main coursea strange sequel to the 1986 original. While attacking the work, the famous critic described it as “a film about hairy little hand puppets with lots of teeth who are held on salad bars by invisible puppeteers while a large number of actors shout and deliver incredible dialogue” .

See the full list below.

Horror movies Roger Ebert hated:

Including works by directors like Paul WS Anderson and M. Night Shyamalan, Ebert’s list certainly contains a lot of trouble. Anderson’s 2002 video game adaptation deserved the negative reception it received, proving once again that bringing the dynamism and interactivity of the medium to cinema is easier said than done.

Ebert wrote: “Resident Evil is a zombie film set in the 21st century and therefore reflects several advances over 20th century films. For example, in 20th century slasher films, knife blades make a sharpening noise as they move through thin air. In the 21st century, large metal objects make a bang just when looked at.

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