Archaeologists in the cloud searched the forest and found 100 constructions from ancient city

That’s what you will find out after reading this story:

  • Archaeologists of the World Monument Foundation have unveiled more than 100 previously unknown archaeological structures in Peru Rio Abiseo National Park.

  • The territory in the park and around it was the House of Civilization Civilization from the seventh to 16Th Centuries.

  • Members of this civilization, more than 6,500 feet above sea level, were known as “people of the cloud forest”.


The Rio Abisiseo National Park is more than 10,000 feet above sea level in the Andes Mountains in the San Martin region. It is known that many of its land have ancient discoveries, and archaeologists still reveal more. Recently a team of more than 100 previously unknown constructions, the whole part of Chachapoya civilization from some seventh to 16Th Centuries.

According to a statement by the World Monument Foundation, a team of archaeologists explored the Gran Pajatén district in the Rio Abisiseo National Park, UNESCO mixed world heritage objects recognized as cultural richness and natural beauty. The area was first rediscovered in the 1960s, and in the 1980s, the National Park was officially established in 1983. – Archaeological teams found 26 ancient structures. This new discovery of more than 100 additional structures expands our understanding of Chachapoya civilization, whose members were known as “people of the cloud forest”.

Civilization was known for its modern city centers, solemn platforms, rock burial structures and agricultural terraces. The Regional Supreme Society also had a peculiar architectural and artistic language that remains in ring buildings, geometric fries and decorated burials.

From 2022 By 2024 Researchers used air and manual lidar scan, photogrammers, topographic registration and technomorphological analysis to create a comprehensive Gran Pizatén map-living with ceremonial buildings decorated with large frustrations, clouds of cloud forest and stone mezes. This technology allowed archaeologists to see the forest canopy, link the area and interpret construction methods and layout.

“What makes this moment so meaningful is not only what was unveiled, but how we were able to do it,” said Bennedicte de Montlaur, President and CEO of WMF. “With the use of advanced technology, our team was able to collect extraordinary imagery and scientific documentation that revives Grant Pajatin, all with the subtle environment.”

Studies have confirmed that the presence of Chachapoya Gran Pajatén stretches to 14Th Century, when soil analysis is hint of even earlier use. The discovery is attached to a nearby network of iki -collars, connecting the place with other region in the region, supporting the theory that civilization was part of a well -connected area full of hierarchical systems.

“This discovery radically expands our inadequate Gran Pajaten and raises new questions about the role of the site in the chachapoya world,” says Juan Pablo de la Puente Brune, in the director of the Director of the Executive Director of Peru. “The evidence now confirms that this is not a separate complex, but part of the formulated network of ikisan settlements from different periods.”

Upon arrival, the park’s location means that wealthy archaeological sites have been subject to a minimum human intervention to protect history with a high degree of authenticity. Still, many places are brittle, overgrown with vegetation.

While there, the archaeological team began to preserve interventions to strengthen the stairs and stone reliefs, along with the partial assembly of the perimeter wall. Ricardo’s morals, a project protection component manager, said that work could be an example of future efforts in the field.

The Museo de Arte de Lima in Peru now offers a free exhibition about Chachapoyya culture and the latest Discoveries of WFM. “Although the site itself remains out of reach,” said De Montlaur, “these measures will allow us to share their stories widely through a thoughtful, intoxicating digital narrative.”

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