Caution reigns at Hong Kong’s 2024 spring art auctions, with US.2 million Yoshitomo Nara painting the top lot

Caution reigns at Hong Kong’s 2024 spring art auctions, with US$12.2 million Yoshitomo Nara painting the top lot

Of the 52 lots offered for sale, 49 found buyers – a 94 percent sale rate – who paid a total of HK$673.4 million (US$86 million). Six works were drawn from the Modern & Contemporary section of the sale and two from the Now section prior to the auction.

As was the case at Sotheby’s April 2023 Evening Salethe highest price was achieved by a painting of Japanese artist Yoshitomo Nara. His I want to see the bright lights tonight (2017) was sold to a telephone dealer through a senior director of Sotheby’s in London at a bargain price of HK$81 million, just above the low pre-estimate of HK$80 million; including commission, the buyer paid HK$96 million (US$12.26 million).

of Pablo Picasso The artist (1963), highly publicized before the auction, sold for a bargain price of HK$66 million, equaling the lowest preliminary estimate. The lot was guaranteed with an irrevocable offer. Including commission, the auction price was HK$78.7 million.

Pablo Picasso’s Le Peintre (1963) sold for HK$78.7 million (including commission) at Sotheby’s Modern & Contemporary evening auction on 5 April 2024. Photo: Courtesy of Sotheby’s
The weakness of the market was also evident in the sale of Zao Wu-Kiexpressive painting 04.10.85 (1985), the highest-priced work by a Chinese artist in the sale. Its sale price of HK$33 million (HK$40.4 million with fees) fell short of the low pre-estimate of HK$35 million.
Despite the general cautious mood, record prices were set for the works of several artists. In particular, a work by the Cuban artist Wifredo Lam, Tropical fruits (1969), sold for HK$11.3 million including fees; a solo retrospective of Lam’s work continues at the Asia Society Hong Kong Center at Admiralty.

According to research firm ArtTactic, global sales of artworks produced after 2000 fell 17 percent in 2023 from a year earlier, but this market segment remains more resilient than older ones works of art, which fell 22 percent over the same period.

Mask Series 1999 pcs. 1, by Zeng Fanzhi, sold for HK$12.2 million including commission at Sotheby’s Hong Kong Evening Sale. Photo: Courtesy of Sotheby’s

The best result in the Now section was achieved by George Condo’s Green eyed lady (2016), which sold for HK$13.5 million and was also backed by an irrevocable offer.

This was followed by Rasheed Johnson‘c The crowd (2017), which brought in HK$7.8 million, and Lucy Bull’s Radiator (2019), sold for HK$5.7 million. Works of Nicola Parti and Close failed to sell.

Although the majority of lots sold reached prices right in the middle of their estimates, total sales were just 61 percent of the HK$1.1 billion figure for Sotheby’s April 2023 Modern and Contemporary Art Evening Sales.

Claude Monet’s The Road to Monte Carlo (1883) sold for HK$61.5 million, including commission, at the Sotheby’s sale. Photo: Courtesy of Sotheby’s)

Richard Zhang Teng, an art economist in Shanghai, says the results of this year’s early spring sales suggest there is cautious optimism in the market.

“Compared to last year’s 50th anniversary sales in Hong Kong, which were packed with a wider selection of works and more big names, this year’s auction reflects a more conservative approach from both buyers and the auction house. But with Sotheby’s lower commissions, the results were quite positive given the market conditions,” says Zhang.

The number of works offered for sale in the Poly Auction Hong Kong Modern and Contemporary sale on April 7 was also lower than last year. The auction, which focused on Chinese and East Asian artists, featured 60 works compared to 95 in 2023. The star lot, Yayoi Kusama‘c Red pumpkin (1989), exceeded expectations, selling for HK$18 million, double the low estimate.

Zhang, founder of research firm Economics on Art Market, says the market is unlikely to recover in the near term, citing the International Monetary Fund’s February forecast of a potential 30-60 percent drop in real estate investment in China compared to with 2022 levels.

“The art market is a very passive market. It cannot simply improve by self-regulation; it is always subject to the volatility of the wider macroeconomic situation,” he says.

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